The reseller and Blackmagic won’t email you the code like with a modern piece of software, meaning you have to plan around the actual delivery of the said product. When you order the DaVinci Resolve Activation Key, you’ll receive a physical product. However, there are a couple of methods of getting a DaVinci Resolve Activation Key, one including no key at all. It doesn’t matter what version you get, because you still need to go and download the Studio version from the website, which will most likely be 17 at this point. It’s why when you buy a Pocket Cinema Camera 4K, you might get a box promoting DaVinci Resolve 16 when we’re on 17 and some resellers will even still have stock from when it was version 12 or 14. See, DaVinci Resolve doesn’t have a subscription, you pay the $300 once and you own it forever, including future versions. A big part of this is the specifications, which still recommend older hardware as a base, but also the way you buy the software can be a little confusing.

All our LUTs work on both ProRes and RAW files.Blackmagic Design’s DaVinci Resolve is sort of a legacy product in some ways, still clinging onto the past as the company pushes it forward to the consumer. Keep in mind this is a starting point and your TINT should be adjusted depending on the situation you are filming in. We recommend to set it to ZERO and adjust it in post. NOTE: Blackmagic adds a +10 TINT when you set your WB on daylight. cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.Ĭheck out this tutorial to see how to use the BUTTERY LUTs! Our LUTs are compatible with any software that support.

Just switch from color science v1 to v4 in the RAW settings of DaVinci Resolve, apply the Natural Rec709 LUT and do your basic adjustments. Yep, just one LUT!Īll LUTs are also fully compatible with the original BMPCC, ONLY WHEN YOU SHOOT RAW. Our LUTs work in every single lighting situation, at any ISO. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. The workflow is extremely simple: first of all, you need to shoot LOG and LOG only.

Bmpcc davinci resolve tutorial